Level B1 · Chapter 64

The Knight of the Mirrors

Another knight errant boasts of having beaten Don Quixote. They fight at dawn, and under the loser’s helmet there is a familiar face.

Engraving by Gustave Doré: a knight standing guard at night beside his armour set on a stone trough, under a full moon.
Gustave Doré, 1863. Public domain.

What you will learn

Before you read

Two knights spend a night boasting, so the lesson is wall-to-wall comparison. Collect three shapes as you read: the ordinary one that compares two things, the one that says something is the most of a whole group, and a third one that compares a thing against a whole clause and uses a word you would not expect between más and the verb.

The story in easy Spanish

Una noche, en un bosque oscuro, don Quijote y Sancho oyeron quejarse a alguien.

One night, in a dark wood, Don Quixote and Sancho heard somebody complaining.

Era otro caballero andante, con la armadura cubierta de espejitos redondos.

It was another knight errant, his armour covered in small round mirrors.

El desconocido hablaba muy alto, como si quisiera que lo oyera el bosque entero.

The stranger spoke very loudly, as if he wanted the whole wood to hear him.

Decía que su dama, Casildea de Vandalia, era la más hermosa de la tierra.

He said that his lady, Casildea de Vandalia, was the most beautiful on earth.

Añadía que él era el más desdichado de todos los hombres del mundo.

He added that he was the most wretched of all the men in the world.

Después dijo algo mucho peor, que a don Quijote le cambió la cara.

Then he said something far worse, which changed Don Quixote’s face.

Contó que había vencido en combate al mismísimo don Quijote de la Mancha.

He claimed he had defeated in combat Don Quixote of La Mancha himself.

«Eso es imposible», respondió nuestro caballero saliendo de entre los árboles.

"That is impossible," our knight replied, coming out from among the trees.

«Yo soy don Quijote y a mí no me ha vencido nadie todavía».

"I am Don Quixote and nobody has defeated me yet."

«Vos habréis vencido a alguien parecidísimo a mí, pero no a mí».

"You must have beaten somebody extremely like me, but not me."

Los dos decidieron pelear en cuanto hubiera luz suficiente para verse.

The two agreed to fight as soon as there was light enough to see each other.

Mientras tanto, los escuderos se apartaron un poco a charlar entre ellos.

Meanwhile the two squires moved off a little to chat between themselves.

El otro llevaba unas alforjas mucho mejor provistas que las de Sancho.

The other man carried saddlebags far better stocked than Sancho’s.

Había en ellas más vino y más pan blanco del que Sancho recordaba.

They held more wine and more white bread than Sancho could remember.

Con la primera luz, Sancho miró la cara del Caballero de los Espejos.

At first light, Sancho looked at the face of the Knight of the Mirrors.

Se quedó helado, porque era igualito que el bachiller Sansón Carrasco.

He was stunned, because the man was the spitting image of Sansón Carrasco.

Tenía la misma nariz, la misma boca y hasta la misma manera de mirar.

He had the same nose, the same mouth and even the same way of looking at you.

Empezó el combate antes de que nadie tuviera tiempo de explicar nada.

The fight began before anybody had time to explain anything.

Rocinante corrió más deprisa de lo que corría el caballo del otro.

Rocinante ran faster than the other man’s horse was running.

Don Quijote derribó a su enemigo del primer encuentro, sin apenas esfuerzo.

Don Quixote knocked his enemy down at the first charge, with barely any effort.

En el suelo, el vencido tenía exactamente la cara del bachiller del pueblo.

On the ground, the loser had exactly the face of the graduate from their village.

Sancho gritó que aquello era lo más raro que había visto en su vida.

Sancho shouted that it was the strangest thing he had seen in his life.

Don Quijote explicó que era el encantamiento más asombroso de cuantos conocía.

Don Quixote explained that it was the most astonishing enchantment he knew of.

Dijo que los magos son tan hábiles como crueles y no se cansan nunca.

He said that wizards are as skilful as they are cruel and never tire.

Después subió a Rocinante y siguió su camino tan tranquilo como siempre.

Then he climbed onto Rocinante and rode on as calmly as ever.

Detrás quedó Sansón Carrasco, más furioso de lo que había estado nunca.

Behind them lay Sansón Carrasco, angrier than he had ever been.

Vocabulary

Comparing

más que
more than
menos que
less than
tan como
as … as
tanto como
as much as
igual que
the same as
parecido a
similar to
mejor que
better than
peor que
worse than

The utmost

el más de
the most of
el mejor de
the best of
sin par
without equal
hermosísima
extremely beautiful
parecidísimo
extraordinarily alike
mismísimo
the very same
igualito
the spitting image
asombroso
astonishing

The fight

la armadura
the armour
el espejo
the mirror
el encuentro
the charge
derribar
to knock down
el vencido
the loser
el escudero
the squire
hábil
skilful
furioso
furious

Comparatives and superlatives

Sus alforjas estaban mejor provistas que las de Sancho.

Casildea era la más hermosa de la tierra.

Rocinante corrió más deprisa de lo que corría el otro.

Comparison in Spanish is regular and quick to learn. The trouble comes from three specific places, and this lesson goes at those.

1. The three basic moulds

SpanishEnglish
más deprisa que el otrofaster than the other one
menos vino que Sancholess wine than Sancho
tan hábil como cruelas skilful as he is cruel
tanto pan como yoas much bread as me

Tan goes with adjectives and adverbs, tanto with nouns and verbs, and tanto agrees: tanta agua, tantos libros, tantas piedras.

2. When que becomes de

This is the first real trap. Spanish switches to de in two situations.

what followsSpanishEnglish
a numbermás de doce mil librosmore than twelve thousand books
a whole clausemás deprisa de lo que corría el otrofaster than the other one was running
a clause, with a nounmás vino del que recordabamore wine than he remembered

The second and third rows are the ones to practise. English keeps than throughout, so there is no signal in the English to warn you. The rule is mechanical: if a verb follows the comparison, you need de lo que, or del que, de la que, de los que when the thing compared is a noun and the article agrees with it.

3. Superlatives

SpanishEnglishnote
la más hermosa de la tierrathe most beautiful on earthde, never en
el más desdichado de todosthe unhappiest of allsame
el mejor de la compañíathe best in the companyirregular form
hermosísimastunningly beautifulno group involved

The -ísimo ending is not a comparison at all. It just turns the volume up, and it is everywhere in speech: parecidísimo, guapísimo, malísimo. Spelling shifts when the stem ends in a hard sound: rico gives riquísimo, largo gives larguísimo. And mismísimo is a special case meaning the very same one, as in el mismísimo don Quijote.

4. The four irregulars

adjectivecomparative
buenomejor
malopeor
grandemayor
pequeñomenor

Never say más bueno or más malo for quality, and never say más mejor. Mayor and menor in everyday Spanish usually mean older and younger rather than bigger and smaller.

A rival who is a mirror

The disguise is a joke made of glass. A knight covered in little mirrors is a knight who shows you your own face, and the man inside the armour is a neighbour who has come out onto the road pretending to be exactly what Don Quixote is. The rival is a reflection, and Cervantes lets the costume say so without a word of commentary.

The plan behind it is practical. Sansón Carrasco, the priest and the barber have agreed that the way to get the old man home is to beat him in single combat and impose, as the loser’s penance, a year of staying put. It is the cage on the ox cart again, upgraded from kidnapping to theatre. And it fails, because the graduate can borrow armour but cannot borrow the thing that makes Don Quixote dangerous, which is that he genuinely does not care whether he lives.

He comes back. Much later, at the seashore in Barcelona, the same man appears as the Knight of the White Moon, wins, and imposes the year at home. That defeat is the beginning of the end of the novel, and the reader who remembers this night in the wood will notice that Don Quixote is destroyed not by a giant or an enchanter but by a neighbour with a good idea and a second attempt.

Cervantes in the original

Llámola sin par porque no le tiene, así en la grandeza del cuerpo como en el estremo del estado y de la hermosura

I call her peerless because she has no peer, alike in the greatness of her body as in the utmost degree of her rank and her beauty

From II, 14, in the mouth of the Knight of the Mirrors, and it is this lesson served on a plate. Sin par is a superlative built by denial: not the most of a group, but a claim that the group has only one member. He then explains the term, porque no le tiene, because she has no equal, which is the kind of circular reasoning knights errant produce when praising ladies. Así… como is the formal ancestor of today’s tanto… como, a comparison of equality holding two things in balance. And el estremo is the utmost degree, the point past which nothing goes. The spelling is the 1615 spelling, before the initial e settled into extremo, and the same shortening survives in estraño for extraño elsewhere in the novel. What makes the sentence funny rather than merely grand is the first item on the list. Of all the qualities to put ahead of rank and beauty, he chooses la grandeza del cuerpo, the size of her body, which is not what a reader expects a lover to lead with.